Answer :
Final answer:
Jackson Pollock shifted his painting from easels to canvases on the floor, influenced by his desire for a non-representational style and the freedom to engage physically with his work. Art critic Clement Greenberg greatly advanced Pollock's career with his support. Pollock's innovative approach and action painting became a vital part of American art.
Explanation:
Jackson Pollock's Transition from Canvas to Wall
Jackson Pollock was instrumental in the transformation of painting during the late 1940s. Spurred by the desire to break from conventional painting techniques, he moved from easel to floor, laying his canvases on the floor as a fundamental shift in creating his art. This method allowed him a physical interaction with his work, as he could walk around the canvas and be literally in the painting. Pollock's novel approach was not directly shown by an individual but was a product of his desire to create a non-representational impact and be part of the painting's ritual. Art critic Clement Greenberg's recognition of Pollock further propelled the artist's innovative action painting into the spotlight, redefining boundaries and influencing future generations of artists.
Pollock's unique approach involved using tools like sticks and syringes to apply paint, fostering an improvisational quality akin to jazz musicians' performances. He sought to move beyond the figurative, which led him to number his paintings instead of providing titles, further emphasizing the artwork's existence beyond representational boundaries. Pollock's technique was honed over years, culminating in masterpieces such as One: Number 31, which showcased his innovative drip technique, enabling him to achieve a dynamic, animated effect with the paint across the vast canvas.
