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We see a schism evolve between the musical approaches of which two composers?

A. Beethoven and Brahms
B. Brahms and Wagner
C. Berlioz and Mahler
D. Wagner and Berlioz

Answer :

Final answer:

The musical schism discussed involves the contrasting approaches of Brahms and Wagner, where Brahms embraced classical forms while Wagner sought to innovate and redefine musical structure and experience. Brahms revitalized traditional genres, while Wagner explored new avenues with operatic and harmonic experimentation. This divide highlights the evolution of music in the Romantic era.


Explanation:

Schism in Musical Approaches


The question of which two composers saw a schism in their musical approaches can be best answered by highlighting the differences between Brahms and Wagner. While both composers were pivotal during the Romantic era, their philosophies regarding music diverged significantly.


Johannes Brahms (1833-1897) is often regarded as a traditionalist, who sought to revive and honor the classical forms established by earlier great composers like Bach, Beethoven, and Mozart. Brahms wrote in established genres like symphonies and string quartets, infusing them with the rich harmonies and melodies characteristic of the 19th century. However, unlike his contemporaries, he did not engage in the radical programmatic styles or the lush orchestrations that defined the works of more avant-garde composers.


In stark contrast, Richard Wagner (1813-1883) was known for his revolutionary approaches to opera and orchestral music. He championed the concept of the Gesamtkunstwerk, or total artwork, which aimed to fuse elements of music, drama, and visual art into a cohesive experience. Wagner's influence extended far beyond traditional forms, venturing into dissonance and chromaticism that paved the way for modern music.


Thus, the schism between Brahms and Wagner represents a fundamental divide in musical philosophy during the Romantic period, with Brahms leaning towards classical traditions and Wagner pushing the boundaries towards a new musical language.


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